Mudinja Vazhu Movie Review – Following the disaster over his last film, Lingaa, KS Ravikumar has avoided any risks with Mudinja Vazhu, a feline and mouse spine chiller about an adroit burglar and a degenerate cop. The film is equation-based on an audacious repeat of scenes from numerous doppelganger films.
Truth be told, the movie continues helping one to remember the executive’s Villain, which had Ajith playing a typical man who was likewise a crook – the main contrast here is that the legend doesn’t see the same twin (no, it’s anything but a spoiler).
At last credits, about six chiefs are recorded as having been a piece of the story conversations, and it would seem that every one proposed an arrangement from their preferred doppelganger film, and they were consolidated to shape the film’s story.
The story spins around Sathyam (Sudeep), a calm realtor, who drives another life as a looter. He figures out how to persuade the cops and people around him that those violations are the craftsmanship of his carbon copy hoodlum twin Shiva.
In any case, the two specialists (Mukesh Tiwari and Sharath Lohitashwa) he looted from, and Kishor (Sai Ravi), a degenerate cop who attempts to utilize this as a chance to bring in cash, are excited about nailing him.
In the interim, Sathyam experiences passionate feelings for Subhashini (Nithya Menen) and upon her asking, chooses to make a fresh start…
For a film whose plot focuses are very commonplace, Mudinja Vazhu works (shock!) to a degree and that is because Ravikumar gets the equation for a forget about your-minds performer right this time.
The film figures out how to keep you connected despite being unsurprising. Indeed, even the compulsory deplorable flashback is moving, on account of Prakash Raj, who plays Sathyam’s father.
There is an interesting appeal in the restful account style that the executive receives (it is particularly a late 90s-mid 2000s film in that sense), and all that the film asks of us is to suspend our skepticism.
The sentimental track, regularly a feeble connection in such movies, is very diverting, and it helps that the film has somebody like Nithya Menen, who sells these scenes. The miscreants are the weaklings here, and as much as Sai Ravi attempts, he can’t shake off the named film scoundrel feel.
The nearby shaves that Sathyam has when Kishor attempts to corner him are entertainingly executed and are the film’s feature.
Sudeep does well in these scenes, however, given that he isn’t mainstream here. We can’t resist the urge to think about whether they would have become genuine whistle-commendable minutes if the film had one of our mass saints as the lead.
Maybe, submitting a general direction to the storyline, Ravikumar ought to have rather collaborated with Ajith and made this as Villain 2.
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